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Here are all the paintings of Fedor Rokotov 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 60589 |
 |
Alexandra Struyskaya |
Alexandra Struyskaya. 1772
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| 60602 |
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Anna Yuryevna Kvashnina Samarina. |
Anna Yuryevna Kvashnina-Samarina. 1770s
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| 60588 |
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Catherine II, |
Catherine II, 1770
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| 60587 |
 |
Count I. G. Orlov. |
Count I. G. Orlov. c.1762-1765
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| 81935 |
 |
Grand Duke Constantine Pavlovich of Russia |
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| 60604 |
 |
Lady in a White Cap. |
Lady in a White Cap. 1790s
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| 86089 |
 |
Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings |
1760s. Oil on canvas. The Tretyakov Gallery, Moscow, Russia.
Date 1760s
cyf |
| 80386 |
 |
Portrait of Anna Yuryevna Kvashnina Samarina |
1770s
Medium Oil on canvas
cyf |
| 3567 |
 |
Portrait of Catherine II |
1770
The Hermitage, St.Petersburg |
| 75760 |
 |
Portrait of Nathalie Petrovna Golitsyn in a white cap |
1790s
Oil on canvas
cjr |
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| Fedor Rokotov
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| Russian Painter, ca.1735-1808
Fyodor Stepanovich Rokotov (Fedor Rokotov) (Russian: ?????????? ??????????́?????????? ????́??????????) (1736?C1809) was a distinguished Russian painter who specialized in portraits.
Fyodor Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter.
In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time.
Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress (1770s, illustration, right).
Rokotov avoided painting formal portraits with lots of adornments and decorations. Instead he was one of the first Russian painters advancing a psychological portrait with attention to optical and atmospheric effects.
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